| Branding For Actors |
| Written by Jill Place | |||||||||||
|
Page 1 of 2
Your Headshot, Your Logo
How many times have you used a bad headshot in your acting career? Showing up at an audition or agent with a bad headshot is like telling the world you’re not worth much. And telling the Business how unbusinesslike you are.
Acting is a business with a capital “B”. And it’s time you saw yourself as a BUSINESS called (NAME), Unlimited. All businesses have logos, bold exclamations of how big they see what they do and what they offer the world. So think of your headshot as your logo . . . your bold exclamation!!! Businesses spend millions of dollars and lots of time developing great logos. First they go through the branding process to discover what they really do. Then they create a logo to reflect that. But you don’t have to spend millions to brand yourself. Instead, you can work with me to develop a branding statement that vividly expresses your acting uniqueness. You don't don't have to spend millions. But you should spend whatever it takes to get someone who will work with you to express your brand through your headshot. Your brand has to boldly come through your eyes for Casting Directors to pick your photo out of a stack of thousands and say, “Get me that one!” Whatever it costs, it’s the most important marketing money you’ll ever spend. If you don’t know where to start, here are some guidelines for picking a good photographer.
Powered by !JoomlaComment 3.26
3.26 Copyright (C) 2008 Compojoom.com / Copyright (C) 2007 Alain Georgette / Copyright (C) 2006 Frantisek Hliva. All rights reserved."
|
| User Generated Revolution Collaborative Filmmaking A new revolution is taking shape in the movie industry that challenges traditional filmmaking to the core. Spurred by a newfound passion amongst movie lovers [ ... ] |
Street Theatre Marketing Taking it to the streets Several major corporations have launched a new type of advertising campaign. They hire actors, musicians and other performers to promote their products and se [ ... ] | Other Articles | ||
| Adding the Missing Ingredient: Meisner's Approach to Acting I was fortunate enough to do a practical three year course in acting at a university with only twelve other students. Together, we explored Shakespeare, Uta Hagen and the enigmatic work [ ... ] |
Preparing Monologues Preparing Monologues A lot of people are confused as to go about preparing a monologue for audition or stage. Let me tell you something, it isn't that hard! You just need to follow [ ... ] | Other Articles | ||
| Script Breakdown - Script and Scene Analysis Script and Scene Analysis There are many facets of a film Director's prep on any movie or Television show - from location scouts and creative meetings to casting and scheduling. Bu [ ... ] |
Theatre Marketing Ideas Theatre Marketing Ideas Marketing and promotions in the performing arts for your theatre is often plagued with problems, the public does not always pay attention to such tactics, an [ ... ] | Other Articles | ||
| Writing Scripts Basics It is a matter of fine tuning Let your Script breathe... Let a script breathe? Come on. A script isn't human (not before your shoot it) so how can it breathe? Think of it as a chil [ ... ] |
Scriptwriting Key Points of Story Structure One thing is true of all stories. They all have a beginning, middle and end. Film scripts typically run from 100 to 120 pages with each page representi [ ... ] | Other Articles | ||
| Adding the Missing Ingredient: Meisner's Approach to Acting I was fortunate enough to do a practical three year course in acting at a university with only twelve other students. Together, we explored Shakespeare, Uta Hagen and the enigmatic work of Yat Malmg [ ... ] |
| Fri Sep 03 @08:00PM - 09:00PM Agatha Christie's 'And Then There Were None' |
| Wed Sep 08 @07:30PM - 09:30PM The LEAGUE of EXTRAORDINARY STORYTELLERS | FOUL PLAY |