<?xml version="1.0" encoding="utf-8"?>
<rss version="2.0" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:atom="http://www.w3.org/2005/Atom">
	<channel>
		<title>Preparing Monologues</title>
		<description>Discuss Preparing Monologues</description>
		<link>http://www.performingartsnews.com/articles/acting/preparingmonologues</link>
		<lastBuildDate>Tue, 09 Jun 2026 13:07:20 +1000</lastBuildDate>
		<generator>JComments</generator>
		<atom:link href="http://www.performingartsnews.com/component/jcomments/feed/com_content/7676" rel="self" type="application/rss+xml" />
		<item>
			<title>Brooke says:</title>
			<link>http://www.performingartsnews.com/articles/acting/preparingmonologues#comment-39</link>
			<description><![CDATA[The first thing I do after I read a monologue is to go over all the emotions in the scene. If your character is talking to another character, imagine what that person is feeling as well. This will help you to really get into the right place and you can feed off emotions you beli***** are there. If you haven't read the entire play, or seen a movie adaption, imagine the back-story of your character. Where do they come from? How old are they? Why are they in this situation and what do they hope to gain?]]></description>
			<dc:creator>Brooke</dc:creator>
			<pubDate>Mon, 02 Jan 2012 02:12:10 +1000</pubDate>
			<guid>http://www.performingartsnews.com/articles/acting/preparingmonologues#comment-39</guid>
		</item>
		<item>
			<title>kevin Cox says:</title>
			<link>http://www.performingartsnews.com/articles/acting/preparingmonologues#comment-35</link>
			<description><![CDATA["an actor SHOULD NOT BE NERVOUS. It does not serve you in any way and takes away from the believability of your character. Why would your character be nervous in a scene?" This expects the actor to ignore their *****th. If you want *****e life and emotion on onstage or in film you must accept and allow what is happening to "YOU" . Singular emotions only happen in Cartoons and bad acting]]></description>
			<dc:creator>kevin Cox</dc:creator>
			<pubDate>Mon, 02 May 2011 08:24:14 +1000</pubDate>
			<guid>http://www.performingartsnews.com/articles/acting/preparingmonologues#comment-35</guid>
		</item>
		<item>
			<title>finding a monologue that suite your style</title>
			<link>http://www.performingartsnews.com/articles/acting/preparingmonologues#comment-24</link>
			<description><![CDATA[finding the right monolgue is hard to find a monologue that suiets the role you are playing is harder again. the best way is to study the play of reading it then *****ing a movie on it that way will help you to expand your imaigination. and perhaps you can write your own monolgue of the interpreation and imagination and to use that skill will help you polish up of what you leanrnt of being a natural rather than talent, we are all talented but being a natural comes of within and to be a polished performer are a natural gifted skill and that comes with time and hard work]]></description>
			<dc:creator>Rod</dc:creator>
			<pubDate>Fri, 26 Mar 2010 08:26:02 +1000</pubDate>
			<guid>http://www.performingartsnews.com/articles/acting/preparingmonologues#comment-24</guid>
		</item>
		<item>
			<title>Guest says:</title>
			<link>http://www.performingartsnews.com/articles/acting/preparingmonologues#comment-16</link>
			<description><![CDATA[where can i find a good monologue]]></description>
			<dc:creator>Guest</dc:creator>
			<pubDate>Thu, 07 May 2009 00:07:26 +1000</pubDate>
			<guid>http://www.performingartsnews.com/articles/acting/preparingmonologues#comment-16</guid>
		</item>
	</channel>
</rss>
